As this might be my last installment of The Clarimonde Project, I would like to thank Lucy of IndiePerfumes for inviting me to partake in this extraordinarily inspired adventure. I’m hoping many of you have listened to Clarimonde via Librivox and perused the other participant’s blogs for reviews and beautiful prose inspired by this haunting romance.
There’s one aspect of this story that I have not touched upon yet, and that is the ending when Clarimonde is revealed to be a vampire. Romuald, the priest who fell madly in love with Clarimonde, did not disentangle himself from his lover once he discovered that he had been drugged nightly by her so she could drink his life giving blood. Rather, he seemed to relish that he kept her alive, so much so that his words could be mistaken for the prayer given before taking Holy Communion, “Drink, and may my love infiltrate itself throughout thy body together with my blood.”
When one celebrates Holy Communion, the host (bread) and the wine are symbolic of Christ’s body and blood. In Roman Catholicism specifically, the host and the bread are believed to become the body and blood of Jesus, which is echoed in the aforementioned words of Romuald regarding Clarimonde. Romuald not only partook in this ritual as a priest, but administered it to his parishioners as well. And at night, he gave of his own blood to save the life of Clarimonde. At one point in the story, Romuald even describes Clarimonde’s “beautiful hands” as “purer and more diaphanous than the host,” a direct reference to the Holy Communion.
This story is rife with death, rebirth, blood, flowers, decay, youth and passion. What an abundance of inspiration for a perfumer, right? Indeed it has been. I have three *perfumes at my table right now. One by Ayala Sender of Ayala Moriel Parfums, another by Dawn Spencer Hurwtiz of DSH Perfumes, and finally one by Monica Miller of Skye Botanicals. I have experienced them all separately, but as I have them together now, I am convinced there must have been a Clarimonde collective consciousness wafting through their creative spaces while they concocted their brews as they are rather similar.
They are all intensely floral perfumes that exude the weighty feel of aubergine velvet, burgundy brocades and red damask. Dawn’s perfume, Paradise Lost, is quite ambery and well-aged like a rich port. Monica’s creation, Sangre, is just as deep and dark as Paradise Lost, but it’s a little sweeter like over-ripe blackberries dripping in one’s hand. All three hint at a haylike note, but it’s Ayala’s Clarimonde Dream Pillow that emanates the most earthiness. It’s not a freshly tilled soil though, rather a soil on the edge of decay that is infused with rose, violet and carnation.
Each of these perfumes teeter on the edge between lushness and decomposition, which is right where Romuald existed. And all of The Clarimonde Project creations, including Mandy Aftel’s Oud Luban and Immortal Mine, by Maria McElroy and Alexis Karl are touched by the beauty and depth of this utterly captivating story. I am honored to have been a part of this event that so exquisitely married perfume and literature.
Visit IndiePerfumes, ScentLessSensibilities, PerfumePharmer, LostPastRemembered for more Clarimonde prose and watch for posts at JadeDressler, Perfume Smellin’ Things as well.
The Clarimonde Project Part I
The Clarimonde Project Part II
*Paradise Lost (DSH Perfumes) and Sangre (Skye Botanicals) are mixed-media perfumes as they contain small amounts of synthetics. Ayala’s Dream Pillow perfume is 100% natural.
Image of The Vampire by Sir Philip Burne-Jones at artmagick
Image of Victorian Vampire by FairyLover17 at etsy